Nasty Women Wigan

I am proud to be showing my wire piece, “Matrilinear”, tomorrow, 9.8.17, in the Nasty Women exhibition in Wigan, part of the global, feminist, Nasty Woman campaign. Matrilinear is a celebration of the strengths, vulnerabilities and inherent connectivity of generations of  motherhood, details of the exhibition below, all welcome. Nasty Women Wigan exhibition at Cross … Read more

mark, print, place

This body of ceramic work looks at the mark we make, our print , more than just a trace, and our relationship to the natural world, our environmental and psychological impact, using the intimate to reflect a global perspective. The red and black  ceramic “fingerprint” work involves thousands of pieces of squeezed clay,  each capturing a fingerprint, a 3D … Read more

Head Above Water, 2016-2017

an exhibition touring 3 coastal venues. curated by Lara Goodband The transformative effects of sea bathing that inspire artists and writers are captured in an exhibition that explores its sensations, stories and psychological impact. Head Above Water reveals the embodied imagination of the swimmer’s experience through film, photography, sculpture, drawing and poetry. Artists: Sally Barker, … Read more

We Only Print in Blood Red

glazed ceramic pieces installed on a tree “We Only Print in Blood Red” was a site specific sculptural piece, installed on a tree in Lytham ,as part of Counterpart. The piece explores the complex and often destructive relationship we have with the natural environment. Counterpart involved 12 artists work installed throughout Lytham. The piece is fired and … Read more

breathe, inflate, deflate

An ongoing series of work looking at breathing, exchange of gases, our relationship with trees, destruction of the rainforest. Materials : latex, stone, trees and branches as site and material.  Fossilised tree, created by the volume of material weighing down, creating stone through time.The delicacy and intimacy of latex, made in silky sheets, cut, stitched , stretched … Read more

2015: artist residency at FUSE Artspace, Bradford, 2015.

This week long residency at  FUSE in November 2015, was part of a series of residencies exploring environmental  issues, leading up to the COP21 conference in Paris in December. The residency offered the space and freedom to explore process, with no outcomes, restrictions and very little limitation. My initial preconceived ideas for the work were to make some kind of shelter, … Read more

drawing with trees

this is current work, digital sketches.I have been working with this tree,with its huge bump- it seems both a benign pregnant- like bulge, and a more sinister, tumorous growth. Some of these ideas may become “real”, real painted and manipulated barbed wire swarming out of the belly button type hole in the bulge, real latex … Read more

Tate Modern Bird Feeder

This piece was commissioned for “Upstaging Nature”, a group exhibition of site responsive work in Sydenham Woods, S. London.The wood and perspex box contains a model scale Tate Modern, cast in bird seed and lard. The box has various holes drilled into it: access for the birds, over the 3 weeks they devoured Tate Modern, whilst being themselves on display.